<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>David Everitt Howe</title>
	<link>https://davideveritthowe.com</link>
	<description>David Everitt Howe</description>
	<pubDate>Fri, 21 May 2021 21:29:04 +0000</pubDate>
	<generator>https://davideveritthowe.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Front page</title>
				
		<link>https://davideveritthowe.com/Front-page</link>

		<pubDate>Mon, 31 Aug 2020 20:14:49 +0000</pubDate>

		<dc:creator>David Everitt Howe</dc:creator>

		<guid isPermaLink="true">https://davideveritthowe.com/Front-page</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>2021 Writing</title>
				
		<link>https://davideveritthowe.com/2021-Writing-1</link>

		<pubDate>Mon, 16 Nov 2020 15:53:59 +0000</pubDate>

		<dc:creator>David Everitt Howe</dc:creator>

		<guid isPermaLink="true">https://davideveritthowe.com/2021-Writing-1</guid>

		<description>
	
	2021 Writing
</description>
		
	</item>
		
		
	<item>
		<title>Arghavan Khosravi's "Black Rain"</title>
				
		<link>https://davideveritthowe.com/Arghavan-Khosravi-s-Black-Rain</link>

		<pubDate>Fri, 21 May 2021 21:29:04 +0000</pubDate>

		<dc:creator>David Everitt Howe</dc:creator>

		<guid isPermaLink="true">https://davideveritthowe.com/Arghavan-Khosravi-s-Black-Rain</guid>

		<description>
	
	&#60;img width="590" height="550" width_o="590" height_o="550" data-src="https://freight.cargo.site/t/original/i/ec80f809ec6b9a7302958210ef1d333fa17e3a226e9c6cce12f9b75fd8a2ceae/AKH_15_PTG0.jpg" data-mid="109164158" border="0"  src="https://freight.cargo.site/w/590/i/ec80f809ec6b9a7302958210ef1d333fa17e3a226e9c6cce12f9b75fd8a2ceae/AKH_15_PTG0.jpg" /&#62;
	

One Work: Arghavan Khosravi’s “Black Rain”


Art in AmericaMay 18, 2021
“JPEGs do no favors for Arghavan Khosravi’s work; though they look flat and one-dimensional online, the artist’s canvases are emphatically sculptural in person, with intricate constructions, illusionistic uses of depth and surface, and judicious, almost exclamatory incorporations of found materials.”&#38;nbsp;[more]
</description>
		
	</item>
		
		
	<item>
		<title>"I Remember": Gerard &#38; Kelly</title>
				
		<link>https://davideveritthowe.com/I-Remember-Gerard-Kelly</link>

		<pubDate>Tue, 02 Mar 2021 16:05:09 +0000</pubDate>

		<dc:creator>David Everitt Howe</dc:creator>

		<guid isPermaLink="true">https://davideveritthowe.com/I-Remember-Gerard-Kelly</guid>

		<description>
	
	&#60;img width="2143" height="3000" width_o="2143" height_o="3000" data-src="https://freight.cargo.site/t/original/i/7143784f964488318ad22f20221663a6c69a3fe912fc7e6ff4dd57c04a20a77e/Gerard-and-Kelly-Timelining-exh_ph28.jpg" data-mid="101133089" border="0"  src="https://freight.cargo.site/w/1000/i/7143784f964488318ad22f20221663a6c69a3fe912fc7e6ff4dd57c04a20a77e/Gerard-and-Kelly-Timelining-exh_ph28.jpg" /&#62;
	

“I Remember”: Gerard &#38;amp; Kelly


BroadcastMarch 2, 2021
“Gerard &#38;amp; Kelly’s timelines don’t make sense really. They’re not always understandable to the lay public, they’re erratic, they start and stop, and they make time queer, as in not only strange and disorienting but politically different and rebellious in intent; relationships are not seen only in one way but many, while romantic partnerships are spread across sexual and gender lines, seeking greater representation for both.”&#38;nbsp;[more]
</description>
		
	</item>
		
		
	<item>
		<title>Reggie Burrows Hodges</title>
				
		<link>https://davideveritthowe.com/Reggie-Burrows-Hodges</link>

		<pubDate>Sat, 27 Feb 2021 16:50:53 +0000</pubDate>

		<dc:creator>David Everitt Howe</dc:creator>

		<guid isPermaLink="true">https://davideveritthowe.com/Reggie-Burrows-Hodges</guid>

		<description>
	
	&#60;img width="768" height="758" width_o="768" height_o="758" data-src="https://freight.cargo.site/t/original/i/41d8c6ef86b089491d667b055244fd145c7673f38be640b346ea5a18234eeaa5/RH-19-015-768x758.jpg" data-mid="100336140" border="0"  src="https://freight.cargo.site/w/768/i/41d8c6ef86b089491d667b055244fd145c7673f38be640b346ea5a18234eeaa5/RH-19-015-768x758.jpg" /&#62;
	

Critics’ Picks: Reggie Burrows Hodges


ArtforumFebruary 18, 2021
“There’s something radical about the way the painter Reggie Burrows Hodges primes his blank white canvases with an inky, monochromatic black. He practically carves his figures out of this surface, layering different forms and colors around them in order to build out compelling scenes of everyday Black life.”&#38;nbsp;[more]
</description>
		
	</item>
		
		
	<item>
		<title>TARWUK</title>
				
		<link>https://davideveritthowe.com/TARWUK</link>

		<pubDate>Thu, 11 Feb 2021 16:26:08 +0000</pubDate>

		<dc:creator>David Everitt Howe</dc:creator>

		<guid isPermaLink="true">https://davideveritthowe.com/TARWUK</guid>

		<description>
	
	&#60;img width="502" height="752" width_o="502" height_o="752" data-src="https://freight.cargo.site/t/original/i/8235f6e41dfe0e41d27cf89b451bf600efe00ad41287c8744a2265a2be6539fb/Screen-Shot-2021-02-11-at-11.34.17-AM.png" data-mid="98582588" border="0"  src="https://freight.cargo.site/w/502/i/8235f6e41dfe0e41d27cf89b451bf600efe00ad41287c8744a2265a2be6539fb/Screen-Shot-2021-02-11-at-11.34.17-AM.png" /&#62;
	Night Terrors


Art in AmericaFebruary 5, 2021
“Comprising paintings, sculptures, and drawings, the show drew on the artists’ childhood memories of the devastating Croatian War of 1991–95, in which the country fought for independence from Yugoslavia. While nothing in “Bijeg u noć” directly referred to this historical era, its trauma manifested in terrifying, oblique form.”&#38;nbsp;[more]
</description>
		
	</item>
		
		
	<item>
		<title>Jamian Juliano-Villani Goes on a Bender copy</title>
				
		<link>https://davideveritthowe.com/Jamian-Juliano-Villani-Goes-on-a-Bender-copy</link>

		<pubDate>Thu, 11 Feb 2021 16:33:20 +0000</pubDate>

		<dc:creator>David Everitt Howe</dc:creator>

		<guid isPermaLink="true">https://davideveritthowe.com/Jamian-Juliano-Villani-Goes-on-a-Bender-copy</guid>

		<description>
	
	&#60;img width="483" height="640" width_o="483" height_o="640" data-src="https://freight.cargo.site/t/original/i/9893265dc85529fb206ea361b5ab0e28f90a9f6bef51c3849edc0e3ae532fe56/Screen-Shot-2021-02-11-at-11.27.21-AM.png" data-mid="98582379" border="0"  src="https://freight.cargo.site/w/483/i/9893265dc85529fb206ea361b5ab0e28f90a9f6bef51c3849edc0e3ae532fe56/Screen-Shot-2021-02-11-at-11.27.21-AM.png" /&#62;
	Jamian Juliano-Villani Goes on a Bender

FriezeJanuary 21, 2021
“Her work skewers artists, critics like myself, American values, corporate branding, puppies, apple pie, the sex industry and other topics with hilarious freewheeling abandon, innuendo and infantile potty humour.”&#38;nbsp;[more]
</description>
		
	</item>
		
		
	<item>
		<title>2020 Writing Header</title>
				
		<link>https://davideveritthowe.com/2020-Writing-Header</link>

		<pubDate>Tue, 20 Oct 2020 20:55:30 +0000</pubDate>

		<dc:creator>David Everitt Howe</dc:creator>

		<guid isPermaLink="true">https://davideveritthowe.com/2020-Writing-Header</guid>

		<description>
	
	2020 Writing
</description>
		
	</item>
		
		
	<item>
		<title>Cajsa von Zeipel’s Campy Dystopia</title>
				
		<link>https://davideveritthowe.com/Cajsa-von-Zeipel-s-Campy-Dystopia</link>

		<pubDate>Tue, 20 Oct 2020 16:56:15 +0000</pubDate>

		<dc:creator>David Everitt Howe</dc:creator>

		<guid isPermaLink="true">https://davideveritthowe.com/Cajsa-von-Zeipel-s-Campy-Dystopia</guid>

		<description>
	
	&#60;img width="1060" height="1440" width_o="1060" height_o="1440" data-src="https://freight.cargo.site/t/original/i/f8374527789ea39195a6c818a9f90be3789ea416dfa5048f9101d0ab2ac3211a/CVZ153_High_026.jpg" data-mid="88998153" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f8374527789ea39195a6c818a9f90be3789ea416dfa5048f9101d0ab2ac3211a/CVZ153_High_026.jpg" /&#62;
	Cajsa von Zeipel’s Campy DystopiaFriezeOct 16, 2020
“...such feats of spectacle don’t hide the fact that, in the words of the press release, Von Zeipel’s ‘futures […] made out of the fragments’ seem literally slapped together, not only in execution but in concept.”&#38;nbsp;[more]
</description>
		
	</item>
		
		
	<item>
		<title>Karlheinz Weinberger</title>
				
		<link>https://davideveritthowe.com/Karlheinz-Weinberger</link>

		<pubDate>Tue, 20 Oct 2020 17:07:43 +0000</pubDate>

		<dc:creator>David Everitt Howe</dc:creator>

		<guid isPermaLink="true">https://davideveritthowe.com/Karlheinz-Weinberger</guid>

		<description>
	
	&#60;img width="502" height="705" width_o="502" height_o="705" data-src="https://freight.cargo.site/t/original/i/adaf64e842560ff2011f05ec3896d0924bf6412b37b984d53b7d4bbcfb549178/Screen-Shot-2020-11-16-at-10.16.35-AM.png" data-mid="88999587" border="0"  src="https://freight.cargo.site/w/502/i/adaf64e842560ff2011f05ec3896d0924bf6412b37b984d53b7d4bbcfb549178/Screen-Shot-2020-11-16-at-10.16.35-AM.png" /&#62;

	Critics’ Picks:&#38;nbsp;Karlheinz WeinbergerArtforumSeptember 16, 2020
“The photographer dotes on his butch subjects as they pose, drunkenly laze around in the woods, or make out with their girlfriends. And Weinberger’s boys really knew how to do it up.” [more]
</description>
		
	</item>
		
	</channel>
</rss>