Image: Still from E.S.P. TV, Work: Episode 2 #106 (2017), analog video
David Everitt Howe is a Brooklyn-based critic and curator. His writing regularly appears in Artforum, Art in America, BOMB—where he’s a contributing editor—Broadcast, frieze, and Mousse. He received his B.F.A. in Fibers from the Savannah College of Art and Design and his M.A. in Modern Art: Critical and Curatorial Studies from Columbia University.
He’s currently Curator-at-Large at Pioneer Works and an editor of its new, online publishing platform, Broadcast. At the non-profit he’s organized solo shows by Patty Chang: Milk Debt (2021), Gerard & Kelly: CLOCKWORK (2018), Nan Goldin: Kathleen (2018), Demian DinéYazhi' and R.I.S.E.: A Nation is a Massacre (2018), Jimmy DeSana: Remainders (2016), and with Gabriel Florenz co-curated Doreen Garner and Kenya (Robinson): White Man on a Pedestal (2017), among other exhibitions. Forthcoming projects at Pioneer Works include the exhibition Laura Parnes: Tour Without End (2021) and a new performance commission by Dynasty Handbag, Titanic Depression (2022). From July 1-September 30, 2021 he will be curator-in-residence at the International Studio & Curatorial Program, supported by Artis.
Previously, Howe was Online Art Editor at BOMB; Associate Director for Dirty Looks, helping launch Dirty Looks: On Location, a New York City-wide, itinerant queer screening series; and Curatorial/Development Associate at Participant Inc. Throughout, he realized projects at Participant and other venues like The Kitchen, MoMA, and Performa.
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